Twelfth Night
PRESS KIT
“If this were played upon a stage now, I could condemn it as an improbable fiction.”
When a shipwreck tears a family apart, twins Sebastian and Viola are tossed ashore a new land held captive by loss. A comedy of mistaken identity, music, pool inflatables, and unrequited longing- two strangers unleash on Illyria the chaotic and transformative power of Love.
March 19th-April 3rd, 2023
Performed in rep with Measure For Measure
Sundays at 7:30pm and 9pm/Mondays at 8pm
Written by William Shakespeare
Directed/Rescripted by Mikey Mulhearn
Poster Design by Adrian der Valk
PRESS CONTACT
Mikey Mulhearn mikey@foolishproductionco.org
PERFORMANCE INFO
Tickets:
Tickets: Pay What You Can-$30
Tickets available at https://www.foolishproductionco.org/buy-tickets
Run Times:
1 hour with no intermission
Doors open 15 minutes prior to the performance
Due to the intimate nature of the Broadwater Studio, we are unable to admit latecomers so please arrive in plenty of time before the performance.
Repertory Schedule:
Sunday March 19th 7:30pm Press Night Twelfth Night
Sunday March 19th 9:00pm Press Night Measure For Measure
Sunday March 26th 7:30pm Twelfth Night
Sunday March 26th 9:00pm Measure For Measure
Monday March 27th 8:00pm Measure For Measure
Sunday April 2nd 7:30pm Twelfth Night
Sunday April 2nd 9:00pm Measure For Measure
Monday April 3rd 8:00pm Twelfth Night
Venue Information:
The Broadwater Studio Theatre
1078 Lillian Way Los Angeles CA 90038
The entrance is in the alcove on Lillian Way that sits between the bar and Mainstage theatre.
Parking is limited to meters and the local neighborhood. Please ensure that you read all posted signs to avoid a ticket/towing. There is a parking lot/garage located at Gold’s gym 2 blocks from the venue. The address is 1016 Cole Ave, Hollywood, CA 90038
COVID Guidelines:
Proof of vaccination is required to attend and will be checked at the door.
Audience members will be required to wear a mask throughout the duration of the performance.
*This production utilizes water weapons. While our intention is to avoid dampening our audience, we cannot guarantee those attending won’t be lightly affected.*
Performed in repertory with Measure For Measure
Join the conversation with #LetsGetFoolish #12thNight
Part of Winter 22/23
CAST
LIBBY WAHLMEIER (Olivia and Others)
FOR FOOLISH PRODUCTION CO: Titus Andronicus (2021), “Titus Andronicus;” Measure For Measure (Virtual/2020), “Lucio and Others;” A Midsummer Night's Dream (2019), “Oberon/Hippolyta;” Romeo and Juliet, "Juliet;" Macbeth, “Malcolm;” A Midsummer Night’s Dream (2018), “Demetrius.”
OTHER THEATRE INCLUDES: Neon Apocalypse, "God" (Polite Cussing); What the Frack! "Eileen" (Citizen's Change Theater); Spike Heels, "Lydia" (CP Theater).
TRAINING INCLUDES: B.A. Theater Arts (California Polytechnic University, San Luis Obispo); Conservatory Graduate (Second City, Hollywood).
NICK MOLARI (Malvolio and Others)
FOR FOOLISH PRODUCTION CO: Measure For Measure (Virtual/2020), “Claudio and Others;” Titus Andronicus, “Bassianus and Others.”
OTHER THEATRE INCLUDES: ARCANE (Secret Cinema/Riot Gaming), Love Among the Ruins (Laguna Playhouse), Closely Related Keys (ICT Long Beach), Bash (3 Seat Productions); Secret in the Wings (Coeurage); Reasons to be Pretty/Reasons to Be Happy, "Greg" (The Collective Studio); Lear (Theatricum Botanicum); Merlin, "King Timor" (Theatricum Botanicum); A Midsummer Night's Dream, "Lysander/Demetrius" (Theatricum Botanicum); Ruddigore, "Ruthven Murgatroyd" (Sierra Madre Playhouse).
TELEVISION/FILM INCLUDES: The Nowhere Inn (IFC films); Ranchlands (FilmProjects.org); Journey to Royal (Misty Falls Motion Picture); Murder Book (Investigation Discovery); It's Not Just About A Film; Last Day of November; Rosso.
TRAINING INCLUDES: B.A. Acting, ('11, UCLA, School of Theater, Film and Television), The BGB Studio, James Eckhouse
LINDSAY MAYBERRY (Maria and Others)
FOR FOOLISH PRODUCTION CO: Debut.
OTHER THEATRE INCLUDES: Only Remains, Remains (MOMA PS1); A Space For My Blackness and Yours (New York Neofuturists); Two Gentlemen of Verona (Monsterpiece Theatre Co.); A Midsummernight’s Dream “Bottom”(Berridge Programs); The Winter’s Tale (Stella Adler Studio).
TRAINING INCLUDES: Tisch School of the Arts (BFA); Stella Adler Studio of Acting (New York University); Stonestreet Studios (New York University); Berridge Programs (France); and BCBG Studios (Los Angeles)
SARAH HINCHCLIFF (Orsino and Others)
FOR FOOLISH PRODUCTION CO: Measure For Measure (Virtual/2020), “Isabella and Others;” A Midsummer Night’s Dream (2018/2019), “Puck;” Macbeth, “Weird Sister/Murderer.”
OTHER THEATRE INCLUDES: A David Lynch Christmas Carol, “Belle” (Defiance Theatre Company); Rocky Horror Burlesque Show, “Janet” (Whitmore-Lindley Theatre); The Love of the Nightingale, “Philomele” (Elizabeth Swain/AMDA); An Evening of Shakespeare, “Various Featured” (Elizabeth Swain/AMDA); Grease, “Jan” (Mount Shasta Repertory Theatre); Sound of Music, “Louisa” (Mount Shasta Repertory Theatre).
TELEVISION/FILM INCLUDES: “Killer Kids” (Lifetime Movie Network); “Girlfriend Uncovered” (Visual Fire Productions); “Things Not to Say at a Holiday Party” (The Social Renaissance Project); “Couples Monopoly” (Kid Cactus Comedy).
TRAINING INCLUDES: Bachelor of Fine Arts in Musical Theatre (American Musical and Dramatic Academy).
KATHERINE LANDRETH (Viola and Others)
FOR FOOLISH PRODUCTION CO: Measure For Measure (Virtual/2020), “Provost and Others;” A Midsummer Night’s Dream, “Snout/Starveling” (2018/2019); Macbeth, “Macduff;” Romeo and Juliet, “Tybalt/Apothecary.”
OTHER THEATRE INCLUDES: Twelfth Night, “Valentine” (Shakespeare Santa Monica); Taming of the Shrew, “Grumio” (Shakespeare Santa Monica); Orange Is The New Musical, “Original Cast” (LATC).
DANCE INCLUDES: The Nutcracker, “Gingersnap” (Oakland Ballet Company); The Nutcracker, “Mouse King/Rose Princess/Spanish Chocolate/Arabian Coffee” (Ballet Petit).
TRAINING INCLUDES: Anthony Meindel Acting Workshop; Shakespeare Santa Monica Training Program; BA in Theatre Arts, Minor in Vocal Music from CSU Long Beach.
ZOO HOLMSTRÖM (Sebastian and Others)
FOR FOOLISH PRODUCTION CO: Debut.
OTHER THEATRE INCLUDES: “Company/Producer” (Shakes on the Rocks); Richard the Third, “Oxford” (Riot Shakespeare); Why Did The Chicken Cross the Road?, “2nd The” (Hollywood Fringe); Lysistrata, “First Old Woman” (Trahscan Shakespeare).
TRAINING INCLUDES: Bachelor’s of Fine Arts-Acting (AMDA: College and Conservatory of Performing Arts); Unarmed, Knife, Quarterstaff, Small Sword, Single Sword (Society of American Fight Directors).
HECTOR MIGUEL (Toby and Others)
FOR FOOLISH PRODUCTION CO: Debut.
OTHER THEATRE INCLUDES: A Street Car Named Desire, “Stanley Kowalzki” (Art of Acting Studio); La Leyenda del Nahual, “Pedro” (ARTHOUSE, Mexico); Love’s Labour’s Lost, “Don Adriano de Armado / Longaville” (Art of Acting Studio); Mongo y el Ángel, “Ángel” (Mexico City).
TELEVISION/FILM INCLUDES: Plagio (Amazon Prime); Matlatl (UVM, Mexico); Gwisin (USCLA).
TRAINING INCLUDES: Fundación Bravo (Mexico City); Literatura Dramática y Teatro, UNAM (Mexico City); MFA in acting, Art of Acting Studio (Los Angeles).
BRANDON DOYLE (Andrew and Others)
FOR FOOLISH PRODUCTION CO: Titus Andronicus (2019), “Quintus/Young Lucius”
OTHER THEATRE INCLUDES: Romeo & Juliet, "Tybalt"; The Merry Wives of Windsor, "Slender"; Hairspray, "Fender/Ensemble"
TELEVISION/FILM INCLUDES: “Murder Made Me Famous” (REELZ); National commercials for Amazon, T-Mobile & others
TRAINING INCLUDES: BFA in Acting (Oklahoma City University School of Theatre)
BrandonDoyle.org; @brandomagnifico
CREATIVE TEAM
Writer William Shakespeare
Director/Adaptor Mikey Mulhearn (he/him)
Stage Manager Jesse Fiene (she/her)
Costume Designer Kat Landreth (she/her)
About Foolish Production Co….
Our Mission at Foolish Production Co. is to celebrate, enhance, and challenge our understanding of self and others through affordable, communal, and innovative experiences of theatre and film.
We began as a one night experiment on the sundeck of a hotel, by a group of artists who wanted to challenge the norms of modern theatrical practice. A practice that overproduces a story, charges a high ticket price, isolates an audience, and dominated by the white/cis/and male.
At Foolish we are committed to truthful, engaging, and simplistic storytelling . We don’t believe Shakespeare, or any performance for that matter, is for the elite, nor that it should bore you. If it does, then we aren’t doing our job. Through the revisitation of original practices such as communal lighting, nontraditional seating, conscious casting, minimal production elements, and a focus on language- we hope to bridge the divide between audience and actor to revel in our shared humanity.
Young. Scrappy. Brash. We are #foolish.